Sunday, February 28, 2010

How Does Neutralisation Work

Test Test, Release inaugurated in March

In the theater of the Humboldt Association

Test. New Theatre premiere of Ojo de Agua

The Work

Peter Korach doubt about his paternity. Then access the child's genetic material, and after two weeks of waiting get the test result. He is not the parent of the child as irrefutably demonstrated by science. This certainty, which really should be comforting, is the beginning of the end. What is the value the assertions of a human being against the implacable finality of scientific proof? What defines the family when it is based not only on the thin ice of factual security? Lukas

Bärfuss (Switzerland, 1971), the author unleashes these knots with precision in a work that can not fail to have comic moments, as it unfolds in a fairly manic family. A paternity test in this case a ruthless instrument of power, which blows up the family structure. Peter Korach, his father, the ambitious candidate Simon Korach, and other members of this family, experience the truth is sometimes very short. And they ignore is often better than having the cold knowledge of having been deceived

An intense and very close history in a production full of excitement and unexpected turns.






Season:

Humboldt Theatre Association (Poland and Vancouver

corner from 11 March to 3 April 2010

From Thursday to Saturday - 20:00

Theatre Humboldt Association (Vancouver E5-54 and Poland / tel: 2236 910-2548 480)

Admission: general, $ 8, students and seniors, $ 4

Thursday: $ 4 all age

Sheet

direction and staging : Roberto Sánchez Hunting

Cast: Marilu Vaca (Helle), María Elena Lopez (Agnes), Marco Bustos (Peter), Diego Bolanos (Franzeck), Roberto Sánchez Hunt (Simon)

Author: Lukas Bärfuss

Translation: Birte Pedersen C

claimed back on its entry 5% discount on your paternity test




Monday, February 22, 2010

Im Looking For Funny Movies

Observatory: Performing Arts School



Ojo de Agua Theater began its School of Performing Arts
CALL: THE OBSERVATORY, SCHOOL OF PERFORMING ARTS

Eye Theatre Water and the Bolivar Theater Foundation and calling on all those interested in studying acting, staging and dramaturgy to enroll in The Centre: School of Performing Arts.

activities Observatory: School of Performing Arts starting from May of 2010 at the headquarters of the school located on the Third Floor of the Teatro Bolivar at times from 3 pm

The Observatory: School of Performing Arts is a project created and coordinated by the Group Theatre Ojo de Agua, next to renowned national players, and aims to offer comprehensive training in the performing arts area comprising areas of actor training, acting, staging and dramaturgy at successive levels to complete 3 years of training, plus a final assembly level.

Information and registration to fax: 2564734 / 2571911 / 2589703 / 092948433 083239139
or e: teatroojodeagua@yahoo.com
Classes Start: May 4, 2010

What is The Observatory, School of Performing Arts?

Observatory, School of Performing Arts is focused on the artistic and technical training of artists in the scenic areas from a vision to renew the ways of approaching the creative process and the handling of tools and techniques.

concerned is aimed at young people between 18 and 35 years of age

What do we want?

Observatory, School of Performing Arts, is an art training center that is held by self, will also build a space and dissemination of high quality art products that are formed into new aesthetic and cultural references to the country.

Why be a part of The Centre? We assume

theater arts education based on innovative pedagogy that relies on the interdisciplinary relationship with other artistic and technical areas, the concept of "building workshop (place to learn techniques and skills) in interpretive and creative work based on the harmonization of the potential of their own, and a solid theoretical foundation, oriented towards the training of new professionals competent in the country and the creation of spaces for theatrical distribution to children, adolescents and young people which allows the approach to the language's own performing arts