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"Roma 1956" in the theater Talia

Juansa Lloret, Manolo Ochoa and Rosanna Espinós star in "Rome 1956", designed by Gianni Clementi, these days we expect in the theater Talia Valencia.

Drama 2000 The company released this version of 'L'Ebre' Gianni Clementi, adapted by Tony Shepherd, directed by Jaume Pérez. This is the first release outside of Italy, which has been filed recently with the participation of actress Ornella Muti.

The piece is in the Italy of the system fascist, following the enactment of the law that forced many Jews, given the uncertainty about the future, to legally give their properties to others and go in hopes of better times, always with the clear condition of being returned to their rightful owners, if they returned. Marcello e Immacolata Consalvi were some of the sudden and momentary fortunate.

"Rome 1956" aims, in the words of Tony Pastor, "to be a historical portrait that reveals, without prejudice, that indefinable line between guilt and legitimacy, truth and appearance, desires and limits, all that that gives us pause as we seek our welfare and that in this work of Gianni Clementi has a real end of black cinema. "

" A Scene "has had the opportunity to speak with Manolo Ochoa and Rosanna Espinós. I recommend you see this play. Do not let you indifferent.

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"Art" at the Theatre

The Teatre El Musical (TEM) of Valencia hosts from Thursday 20 January to 13 February representations of 'Art', the first version in Valencian Yasmina Reza's text has been translated into 35 languages \u200b\u200band has become the work of a living author most represented on the world stage.

Directed by Joaquim Candeias, this co-production of the City of Valencia, Albena Teatre and Tornaveu, born as "a comedy pure "to" darker tints, which are related to the human condition and their insecurities and fears. "

Candeias This was stated during the presentation of the work, with managers and TEM Tornaveu, Joan Carles Daudert, and Albena, Toni Benavent, the Councillor for Culture of the City of Valencia, Mayrén Beneyto, and Carles Alberola actors and Alfred Picó, which make up the division next to Valencia Carlos Sanjaime.

Through a seemingly debate around the painting acquired by one of three men united by a friendship of more than 15 years, the book addresses their concerns about "jealousy, abandonment, fear of aging, fear death, lack of recognition "and, ultimately, on" really human things. "

The director explained that this picture, a blank canvas, is a" symbol "that each character plays the way it is being and what they "want or need to see", which provides different "world views competing between friends, between men."

In fact, stressed that this show is one of the "very few existing works on friendship men beyond football or criticism of their women, "and that, moreover, is written by a woman." It is the vision of a woman on the relations between men "stressed Candeias, whom he considers" a challenge and a privilege "to reflect its interpretation of" spirit "of this contemporary classic with the help of Albert's work, Picó and Sanjaime.

In his opinion, this book, despite its huge commercial success," in the background may not be is rated. "Thus, praised the" great intelligence "and" brilliance "with which the author is able to gather a sense of humor" as a mechanism of survival of the individual to "distance himself from his own drama, with the "comic" characters, "defined by its rigidity, its automatic, for curl upon themselves and ruled the world."

"Combining these two concepts, a sense of humor and comedy, is done in a bright and hope have been more or less in height, has ruled.
Alberola
Candeias and have alluded to the "painful trance" that cross the three characters in this "brilliant comedy." Moreover, he also Albena Teatre artistic director has said that when the function ends, is "out" of everything in his mind throughout the work, but "no say" in the mouth of his character.

To Alberola, Yasmina Reza's " a teacher "in the" shared secret "which is the theater, for its ability to" show so much of the human soul "through a blank box." This work gives me extreme pain while the public laughs, which is a great skill by the author in the sense of showing, through the pain of its characters, the recognition by the viewer, "who" share laughs and see something that gets the stage, not himself, "he explained.

For his part, Alfred Picó has said the" fear "that initially faced the proposal to interpret" the first written text "that gives life from his beginnings as an actor, given his long career with Valencian artists.

has also claimed that "falls within the normal range" that plays on this scale are interpreted in Valencia. "Things you can do in Valencia, I think Enough of that, sometimes, we talked and worked in Valencia for a while it seems that we should be asking for forgiveness, and vice versa, things should be done with complete normality, "he stressed.

Alberola also relies on This version of 'Art' translated into Valencia, the work of Fernando Gomez and Rodolfo Grande Sirera, shows that Valencian "is a living language, powerful and connected with many people who are eager to find texts in Valencia on stage and they can be enjoyed. "

In the same vein, Mayrén Beneyto has argued that" culture, and particularly the theater, must also be in an adaptation and a translation in Valencia. "The language we have to practice it and hear it," concluded the mayor.

Carles Alberola, Alfred Picó and Carles Sanjaime in "Art".

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The Musical Tribute to Tennessee Williams in the room Zirc



Zirc The Valencia Room presents "Scènica2011. Joan Carles Rosell, actor and director Valencia directed" The blue does not apply to the roses ", a selection of texts by an author as important as Tennessee Williams.

A phrase of the character of Laura in The Glass Menagerie "title of this dramatic reading, where you can enjoy excerpts from" Summer Smoke, "" I can not imagine tomorrow, "" The case of petunias trampled "and own" Glass Menagerie. "Isabel Carmona, Fabrizio Meschini, Paco Alegre, Maria Paula Albiñana and Bars are the actors who portray the characters that populate the world of Tennessee Williams.

Thursday at 20:30 you have an appointment with "The blue does not apply to the roses" and a tribute to Tennessee Williams in Room Zirc of Valencia, where there will also be music direct and a chat where we talk about theater actors and the director of this dramatic reading.



I attached the presentation of this series of dramatized readings by of its director, Juan Carlos Rosello:

"The natural state is the representation of the theater. It is his destiny to be represented. Converting a literary event into something alive, in both sensory and emotional experience. But we must not forget that theater feels this same text begins: TEXT, ie literature. A literature almost disappeared from the shelves of bookstores and libraries. That lack of interest in this literary genre has caused a great ignorance of the authors and their works.

Moreover, private companies do what they can to expose perpetrators that no one knows and they are quite interesting, even basic to better understand our history, because the theater talking about what he sees, what lives, what happens with human beings as a universal theme. This ignorance not only affects classical authors or authors for centuries for decades; but also affects the new generation of authors, and in these worse, because the mechanisms of diffusion are very limited.

We want to think about this topic: "The spread and impact of Theatre author in society." We reflect through two dramatized readings accompanied by two informal gatherings at which we find dramatic art professionals, interested public, students, etc..

discuss these issues and that may arise in a relaxed atmosphere and quiet. "

Juan Carlos Rosello