Eduardo Galán playwright, screenwriter, novelist, professor of Language and Literature, essayist, columnist, a frequent speaker. He has published numerous literary studies and various critical editions of works of English literature. From 1996 to 2000 he was Deputy Director General of Theatre (Ministry of Education and Culture). In 1996 he became President of ASSITEJ, (English Association of Theatre for Children and Youth), a post he held for two years. Founding partner of Sequence 3 Arts and Communication. As a novelist has made SOS Save the Tooth Fairy has achieved widespread among children. Throughout his career, has received the following awards: 1989 Award for Calderón's Theatre of Play. Primero Award 1992 Theatre by the flying chair. 1993 Enrique Llovet Theatre Award for the king's friend. 2002 National Children's Theatre Award AETIJ and Youth. Some of his works have been represented in Latin America, Portugal and Greece, and have been translated into English in the U.S., Greek and Portuguese. Among his plays performed, the highlights: 2005 Waiting for Diana. Address: Celso Cleto. Starring: María Casal, Rafael Castejon, Jesus Ruymán and Manuela Velasco. Release: October 24, 2005, at the Teatro Gran Falla, within the FIT de Cádiz. 2005 Women in the mirror. Address: Celso Cleto. Starring: Isabel Serrano, Pilar Abella. Release: October 14, 2005, at Teatro Juan Bravo de Segovia. 2004 Three men and a destination. In collaboration with Luis Lorente and Carlos Asorey. Address: Esteve Ferrer. Starring: José Luis López Vázquez, Agustín González and Manuel Alexandre. Teatro Reina Victoria in Madrid. 2002 Memory and Oblivion (Argentina 76, never again!) In collaboration with Luis Arturo Roldán Lorente. Address: Ferran Madico. Starring: Daniel Freire and Manuel Callao. FIT de Cádiz opening in the Gran Teatro Manuel de Falla. 2002 Women in the mirror. Lisbon. Address: Celso Cleto. Starring: Margaret Cardinal and Helen Elizabeth. 1996 Women in the mirror. Address: Juan Carlos Pérez de la Fuente. Starring: María José Alfonso and Blanca Portillo. Teatro Alcázar de Madrid. Case Limited 1993. Valencia release. Madrid: Centro Cultural Galileo. 1989 Hall opens at the Teatro Cervantes de Alcalá de Henares, his first commercial work, based on the Commedia dell'Arte The Inn of the beach. Address: Fernando Rojas. Starring: Carmen del Valle and Fernando Rojas. Adapted and latest theatrical releases are: 2003 La dama duende de Calderón. Teatro San Pol 2002 Defending the Caveman. Starring Nancho Novo. Harlequin Theatre. 2002 The Phantom of the Opera Lloyd Weber. Teatro Lope de Vega de Madrid. 2001 Cinderella. Teatro San Pol Pedro Gómez playwright and screenwriter. Madrid, 1966. PhD in Information Sciences (Communication Studies), University Complutense of Madrid (New thesis creative techniques in developing scripts. Introduction to the study of rhythm in visual fiction, read in February 2003). It started as a writer for documentaries and contests (Supermarket, how you see ...?), specializing in genre fiction, series such as Neighbours (1992), Contigo pan y cebolla (1996), Al salir de clase ( Uncle Willy ...), 1997-2001 (1998), A lonely man (2000), new Street (2000), Paradise (2000 and 2003), Law (2001), Al salir de clase (1997-2002), 20tantos (2002), Paco y Veva (2004), Capital (2004). In July 2004 the play premiered curve Happiness (Capitol Theatre de Santander) co-written with Eduardo Galán. Currently work in the theater represetna Lara of Madrid. The work has been translated into Greek and published by the Instituto Cervantes in a bilingual edition. Co-author (with Antonio Albert and Juan Luis Iborra) adjustment of the cemetery cherries (for TVE and Coral Valencia, 2005) on the work of Gabriel Miró (high production miniseries). Two-time winner Buñuel Screenplay Award (Department of Philology of the FCI) and Madrid finalist New Writers (1985), the City of Madrid. He has published the scripts of Buñuel Award and Representatives (1993)-theater, Ediciones Atenea, Madrid and Los arcane of evil (2002)-novel, Doveliar Editorial, Madrid. Since 1999 he is professor of General History Narrative and Image in the Faculty of Communication Sciences at the University Francisco de Vitoria, Madrid. He has collaborated regularly giving workshops in the Master script Telemadrid, as well as others, promoted by different entities (Fundación Complutense, General Society of Authors, SGAE, "ABC Writers, acai, Telemadrid ...) Authors' Note mean curve of happiness that is 'the crisis of 40', the loss of direction in life and the time to do all sorts of crazy to return to the same place: the search for stability. In this function we want to show the man of 40, with its conflicts and greatness, their insecurities and fears. Hence the comic double vision, and even frivolous fun along with the sad and bitter vision of reality. 40-Man can not live alone or together, can not live in stable couples do not dare to live la vida loca. In short, men of forty, fragile, indecisive, insecure, causing laughter from the audience, while are slowly showing their human face, his tenderness, his terrible loneliness, you just conquered the hearts of viewers. And the spectators. Because, the truth is that our characters say the opposite of what they feel and boast a strong lacking emotional. Although they deny it and pursue their dreams of nights whores, looking for love, yes, love. It's that simple.
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